The 12 films are produced by the literary festival Louisiana Literature and will be published gradually through November and December at Louisiana Channel and here on this page. You can currently watch portraits with Peter Høeg, Helle Helle, Kim Leine, Hanne Højgaard Viemose, Henrik Nordbrandt and Ursula Andkjær Olsen.

Peter Høeg

“We live in an extremely outgoing and extrovert culture. It constantly presents us with experts and quick fixes. We are constantly pulled out of ourselves. And my feeling or certainty still is that it’s best if you offset that by looking inward," says the writer. In this conversation he reflects about his life-long fascination for literature and books.

Helle Helle

“Can I use grammar to show the pain and the sorrow? Can I create a narrative position, which means that as you read, you can feel the pain without me making it explicit?” Meet Helle Helle in her work study in Sorø, Denmark, when she describes the mind-boggling process of writing a novel.

Kim Leine

“I think many authors see it as a challenge to write as the other sex,” says the Norwegian writer Kim Leine. Learn more on his writing, which a great deal evolves from the experiences he had living 15 years in Greenland.

Hanne Højgaard Viemose

Watch a portrait of an incomparable voice in Danish literature, who writes with liberating linguistic ferocity and devil-may-care nature. The portrait is filmed with mobile cameras, while on a trip with family and a friend.

Henrik Nordbrandt

“I am what is around me.” Henrik Nordbrandt is widely regarded as one of the most important and celebrated poets in Scandinavia. In this video portrait filmed in his house on Møn, Denmark, he speaks about childhood, ghosts and his life with poetry, shaped by the many years he lived in Mediterranean countries.

Ursula Andkjær Olsen

“It's the idea that you have a seed - out of which the rest grows," says poet Ursula Andkjær Olsen. Considered one of the most important poets of her generation, her background with classical music has inspired her writing.